Fri, 25 July 2025
Episode 90 of the Podcast for Social Research—TRANSgressions: Rights Wrongs, and Liberal Pieties—was recorded (mostly) live at BISR Central, as we celebrated Pride Month by asking: What happens when trans people in the public eye commit real or perceived wrongs? By what criteria—or liberal pieties or social justice aims—are these so-called wrongs evaluated? And what kind of trans experience even gets a public airing at all—why and in service of what? We submitted these questions to BISR faculty Sophie Lewis, Hannah Leffingwell, and Ruth Averbach, each of whom approached it in a way apropos of their own scholarly and activist priorities. The first voice you’ll hear is Sophie’s, speaking from Philadelphia about a very specific form of Enemy Transfeminism: Trans Zionism. Ruth picks up from there to track the ideologically bewildering reception of a counterrevolutionary trans writer in 19th century Russia. After which we hear from Hannah on how trans life has historically interacted with the clinic and been represented in film. In conversation with one another and with a live BISR audience, Ruth and Hannah then embark on a freewheeling conversation that touches on, among other persons and things, Representative Sarah McBride, attorney Chase Strangio, the recent Supreme Court decision on trans-affirming healthcare, and much else besides. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky. |
Fri, 4 July 2025
In episode 72 of Practical Criticism, Ajay takes the somber occasion of Brian Wilson's recent death to play, for Rebecca, the Beach Boys's immortal track "God Only Knows"—a song Paul McCartney called the "greatest ever written." Is Sir Paul, for once, correct? Ajay and Rebecca ask after the song's technical perfection, noting its intermix of pop, jazz, and even Bach-esque baroque, while dwelling as well on its emotional ambiguity, barbershop polyphony, and inimitable quality of being at once light and airy yet incredibly substantial. Is "God Only Knows" the platonic ideal of pop? How can we think about "genius"—and its complicated avatar, Brian Wilson?
Direct download: Practical_Criticism_Ep_72_Brian_Wilson.mp3
Category:general -- posted at: 1:50pm EST |
